4.2.2. Tools

The realisation of parametric skeleton type design necessitates a carefully orchestrated ensemble of digital instruments. This study employs two complementary tools: Glyphs (“Glyphs,” n.d.), a professional type design application that serves as the foundational environment, and LTTR/INK (LTTR/INK 2017–2024), a specialised plugin for stroke contrast emulation.

The Glyphs application (“Glyphs,” n.d.) serves as the cornerstone of this study’s technical infrastructure. This industry-standard software provides a sophisticated environment for type design through both its graphical interface and programmatic capabilities.

The LTTR/INK plugin (LTTR/INK 2017–2024) augments this foundation with an intriguing capability: the simulation of stroke contrast. Like a virtual writing instrument that never blunts, it enables precise control over stroke modulation patterns. This digital emulation of traditional writing tools presents an elegant solution for the systematic exploration of contrast variations – a bridge between centuries-old calligraphic techniques and contemporary parametric design.

The design space encompasses three dimensions: skeleton style, weight, and nib tilt. The skeleton style axes, denoted as 001, 002, 003, and subsequent identifiers, represent distinct writing trajectories – as if different individuals were writing the same letters. Each skeleton style axis operates on a scale from 0 to 99, where 0 represents a neutral skeleton shape, and 100 embodies the full expression of that particular style. Values between these extremes enable the blending of writing characteristics, much like combining the handwriting traits of different writers. Multiple skeleton styles can simultaneously influence the neutral shape, allowing for sophisticated hybridisation of writing patterns.

Figure presents the design current system of the LTTR/SET. The group at the top presents the three skeleton shapes with the base neutral master. The two masters at the very top represent two distinct skeleton shapes. The three masters in the middle present tilt axis variations of the selected base skeleton shape. The two masters at the very bottom present weight axis variations. Note that the tilt axis and weight axis apply for each shape master, not only the base master. For details, see the building diagram.
Figure presents Axes setup within a .glyphs file. On the image is the base master set representing the neutral shape
Figure presents a screenshot of the design application using LTTR/INK drawings within the Glyphs Application. On the top, the design pane with LTTR/INK UI and glyph “a” in edit mode; The bottom is a preview of all the master of edited glyph “a”

The weight and nib tilt axes operate independently for each skeleton style. The weight parameter controls stroke thickness, whilst the nib tilt range – spanning from 30 to 150 degrees – determines the angle at which the virtual writing tool interacts with the skeleton trajectory, thereby affecting stroke contrast and modulation.

Figure presents a building diagram of the design space with axes masters and their properties. On the top is the base skeleton with its adjacent axes of tilt and weight. The row at the bottom represents distinctive shape masters that allow the interpolation with each other through the base master.
Table presents the axes of the design space

Note that throwing a hundred per cent of all ingredients into the blender produces a spectacular, but the consumption can cause unexpected results. Therefore, the limit of ingredients is set. In the case of the skeleton style, the sum of all skeleton style values must not exceed 140. A somewhat arbitrary limit, but it serves as a useful constraint to prevent too many unexpected results.

“Glyphs.” n.d. Glyphs GmbH. Accessed October 26, 2024. https://glyphsapp.com.
LTTR/INK.” 2017–2024. LTTR/CORP. https://www.lttrink.com/.

Citation

If this work is useful for your research, please cite it as:

@phdthesis{paldia2025generative,
  title={Research and development of generative neural networks for type design},
  author={Paldia, Filip},
  year={2025},
  school={Academy of Fine Arts and Design in Bratislava},
  address={Bratislava, Slovakia},
  type={Doctoral thesis},
  url={https://lttrface.com/doctoral-thesis/},
  note={Department of Visual Communication, Studio Typo}
}